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http://hdl.handle.net/123456789/5576
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DC Field | Value | Language |
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dc.contributor.author | Осадчук, Тетяна Романівна | - |
dc.date.accessioned | 2020-04-17T07:53:05Z | - |
dc.date.available | 2020-04-17T07:53:05Z | - |
dc.date.issued | 2014 | - |
dc.identifier.citation | Осадчук Т. Р. Оперета в режисерській творчості Федора Стригуна: традиції та новаторство [Текст] / Т. Р. Осадчук // Spheresofculture. Journal of Philology, History, Social and Media Communication, Political Science, and Cultural Studies /Ed. By Ihor Nabytovych. – Lublin, 2014 – Vol. 8. – P. 413-420. | uk_UA |
dc.identifier.issn | 2300-1062 | - |
dc.identifier.uri | http://hdl.handle.net/123456789/5576 | - |
dc.description.abstract | In the article it was analyzed Fedir Strigun’s producer creation in the genre of operetta, also it was revealed its place in artist creative works. With this aim it was analized the main features of directing of two major operettas of the artist – «Sharika» and «Gutsulka Ksenia» by Yaroslav Barnych. | uk_UA |
dc.publisher | Lublin | uk_UA |
dc.relation.ispartofseries | Vol. 8; | - |
dc.subject | operetta, director, musical-theatrical form, genre canons, utterance means, scene incarnation. | uk_UA |
dc.title | Оперета в режисерській творчості Федора Стригуна: традиції та новаторство | uk_UA |
dc.title.alternative | OPERETTA IN THE FEDIR STRIGUN DIRECTOR CREATIVITY | uk_UA |
dc.type | Article | uk_UA |
Appears in Collections: | Статті та тези (ННІМ) |
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